The mise-en-scène of Estado Novo and the films awarded by DIP:

methodological reflections for an analysis

Authors

  • Bianca Melyna Filgueira Universidade Federal de Santa Catarina-UFSC

DOI:

https://doi.org/10.36661/2238-9717.2010n18.8072

Keywords:

Frankfur, Birmingham, textualism, cinema

Abstract

This article discusses methodological and epistemological aspects that permeate the use of cultural products as sources and objects of study. Thereby, it is useful to reflect upon some specific approaches that focus on the study of derivatives of the culture industry: Frankfurt School, Birmingham Group and the so-called textualists. While reflecting and choosing the most appropriate approach, an analysis of a Brazilian film produced during Estado Novo (Pureza) will be outlined to substantiate the theoretical and methodological effort.

Keywords: Estado Novo, Frankfurt, Birmingham, textualism, cinema.

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Author Biography

  • Bianca Melyna Filgueira, Universidade Federal de Santa Catarina-UFSC

    Mestranda do Programa de Pós-Graduação em História – PPGH, da Universidade Federal de Santa Catarina – UFSC.

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Published

05-06-2018

Issue

No. 18 (2010): Dossiê História e Cinema

Section

Dossiês

How to Cite

FILGUEIRA, Bianca Melyna. The mise-en-scène of Estado Novo and the films awarded by DIP:: methodological reflections for an analysis. Fronteiras: Revista Catarinense de História, Brasil, n. 18, p. 67–86, 2018. DOI: 10.36661/2238-9717.2010n18.8072. Disponível em: https://periodicos.uffs.edu.br/index.php/FRCH/article/view/8072. Acesso em: 10 apr. 2025.