Between image and history – Lindonéia

Authors

  • Mara Rúbia Sant’Anna-Muller Universidade do Estado de Santa Catarina-UDESC
  • Monike Meurer Universidade do Estado de Santa Catarina-UDESC

DOI:

https://doi.org/10.36661/2238-9717.2010n18.8076

Keywords:

Lindonéia, música, artes visuais, nação

Abstract

This is a study of the song “Lindonéia”, as performed by Nara Leão and composed by Caetano Veloso, considering its intertextuality with Lindonéia, a Gioconda do subúrbio by Rubens Gerchman, its dialogue with Brazilian society by the end of the 1960s and the project of nation at stake. The analysis focuses the treatment of textual and sonorous image in relation to Brazil’s image as devised during this period.

Keywords: Lindonéia, music, visual arts, nation

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Author Biographies

  • Mara Rúbia Sant’Anna-Muller, Universidade do Estado de Santa Catarina-UDESC

    Professora doutora em História pela UFRGS/EHESS e professora efetiva do Departamento de Moda da Universidade do Estado de Santa Catarina – UDESC.

  • Monike Meurer, Universidade do Estado de Santa Catarina-UDESC

    Bacharel em Moda pela Universidade do Estado de Santa Catarina – UDESC.

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Published

05-06-2018

Issue

No. 18 (2010): Dossiê História e Cinema

Section

Artigos

How to Cite

SANT’ANNA-MULLER, Mara Rúbia; MEURER, Monike. Between image and history – Lindonéia. Fronteiras: Revista Catarinense de História, Brasil, n. 18, p. 105–123, 2018. DOI: 10.36661/2238-9717.2010n18.8076. Disponível em: https://periodicos.uffs.edu.br/index.php/FRCH/article/view/8076. Acesso em: 10 apr. 2025.